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A photographer since age seven, a graduate of the School of Visual Arts in Manhattan, and a contributor with Getty Images, Kritina’s work has been described as eclectic and idiosyncratic with occasional whimsy—something that floats between fine art and kitsch. Her first published work featured black & white images hand-colored with oils. Today, she shoots primarily in color.
“I wear different hats when I’m shooting. If I see a shot in color, it generally doesn’t translate to black & white. It isn’t just technical as in how the colors and contrast render values in a black & white conversion and how that affects composition, mood, and impact. It is also “how” you see what you’re photographing and the way you go about getting the shot.
When I create hand-colored imagery, I shoot the foundation shot in black & white, but with the intention of adding color—it is all very deliberate—I don’t see the shot in black & white or color; instead, I envision how the image will look after adding oils. Rarely have any of those first-step black & white shots worked as strong, stand-alone black & whites.
People ask me what I photograph. Essentially, I like to capture the soul of something, whether it is a person, a dog, a plant, or a beach. It can be an inanimate object because even a space can have a soul—it has an essence. It is also very exciting to capture what Henri Cartier-Bresson called, “the decisive moment”. You are creating something quintessential as you wait for all the elements to come together. Every detail unites simultaneously and seamlessly.
There is a lot to see in this world. The human condition fascinates me, as do the absurdities of life. There is a lot we don’t know and can’t possibly know unless we have lived it. Photographs give us a step into other worlds.”
–Kritina Lee Knief
A photographer since age seven, a graduate of the School of Visual Arts in Manhattan, and a contributor with Getty Images, Kritina’s work has been described as eclectic and idiosyncratic with occasional whimsy—something that floats between fine art and kitsch. Her first published work featured black & white images hand-colored with oils. Today, she shoots primarily in color.
“You wear different hats when you’re shooting. If I see a shot in color, it generally doesn’t translate to black & white. It isn’t just technical as in how the colors and contrast render values in a black & white conversion and how that affects composition, mood, and impact. It is also “how” you see what you’re photographing and the way you go about getting the shot.
When I create hand-colored imagery, I shoot in black & white, but with the intention of adding color—it is all very deliberate—I don’t see the shot in black & white or color; instead, I envision how the image will look after adding oils. Never did I present one of those images in their first-step state, that of just black & white, because they rarely work as strong, stand-alone black & whites.
People ask me what I photograph. I think most photographers can shoot a multitude of things that interest them and are versatile despite the genres for which they’re known. Essentially, I like to capture the soul of something, whether it is a person, a dog, a plant, or a beach. It can be an inanimate object because even a space can have a soul—it has an essence. It is also very exciting to capture what Henri Cartier-Bresson called, “the decisive moment”. You are creating something quintessential as you wait for all the elements to come together. Every detail unites simultaneously and seamlessly.
In general, I think an image should prompt the viewer to feel or think…maybe contemplate new perspectives—new ways of “seeing”. It can inspire quiet reflection or intense awe. An image has to move me in some manner. I like humor and irony—the absurdities of life. The human condition fascinates me. There is a lot to see in this world. There is a lot we don’t know and can’t possibly know unless we have lived it. Photographs give us a step into other worlds.”
–Kritina Lee Knief
Bio
A photographer since age seven, a graduate of the School of Visual Arts in Manhattan, and a contributor with Getty Images, Kritina has described her work as a conglomeration of the idiosyncratic, provocative,
“Observation and curiosity can lead to the unveiling of treasure. I like to capture the soul of something, whether it be a person, a dog, a plant, or a beach. Everything has something deeper than what is on the surface. An image should prompt the viewer to feel something or think…maybe contemplate new perspectives. New ways of “seeing” things. I like to see the humor or irony or struggle…feel the joy or sadness. It’s not just what you’re seeing, it’s as Elliott Erwitt said it, “it’s how you see it”. People ask me what I photograph and it’s hard to pinpoint—I capture what interests me or awes and excites me. There is a lot to see in this world. There is a lot we don’t know and can’t possibly know unless we have lived it. Photographs give us a step into other worlds.”
— Kritina Lee Knief
Bio
— Kritina Lee Knief
Represented by Getty Images
Photo Credits include: Time Inc., NYDailyNews.com, ParentHerald.com, Cesar Millan’s CesarsWay.com, Huffington Post, BuzzFeed.com, Running Press, British Airways, BMW, The Gap, Fidelity Investments, American Funds, WW Norton, Stewart Tabori & Chang, Art Unlimited, Pomegranate Artbooks, New York Magazine, Parenting Magazine, Alamo Car Rental, Aventis Pasteur, Pfizer
Bio
A photographer since age seven, a sensualist since seventeen, and a graduate of the School of Visual Arts in Manhattan, Kritina has described her work as a conglomeration of all things idiosyncratic and provocative.
“There is a great place to reside and it is somewhere between kitsch and fine art. I like when an image fluctuates between entertainment and transcendence, whimsy and titillation.”
— Kritina Lee Knief
Represented by Getty Images
Photo Credits include: Time Inc., NYDailyNews.com, ParentHerald.com, Cesar Millan’s CesarsWay.com, Huffington Post, BuzzFeed.com, Running Press, British Airways, BMW, The Gap, Fidelity Investments, American Funds, WW Norton, Stewart Tabori & Chang, Art Unlimited, Pomegranate Artbooks, New York Magazine, Parenting Magazine, Alamo Car Rental, Aventis Pasteur, Pfizer
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